Judicael Perroy
Partita No 2 in C minor BWV 826 (arr T Manoukian) • Suite BWV 997 (arr T Hoppstock) • Prelude, Fugue and Allegro BWV998 (arr T
Hoppstock) • Concerto in D major (after Vivaldi) BWV 972 (arr J Perroy)

It was Francisco Tárrega, composer and guitarist, who first transcribed Bach’s music for his own instrument, offering colour, tonal variety and clarity in an exploration of counterpoint. Tristan Manoukian’s transcription of the Partita No. 2 honours the precedent in its virtuosic and expressive writing. It is possible that the Suite and the Prelude, Fugue and Allegro were originally conceived for the so called “lute-harpsichord”, a keyboard strung with gut that sounded like a lute. Bach’s version of Vivaldi’s Violin Concerto transforms and refashions it, and the guitar transcription is perfectly suited to convey the
richness of its invention. Prizewinning guitarist Judicaël Perroy is one of the most exciting talents to have emerged in years.