• In his acclaimed series of C.P.E. Bach's music for solo keyboard, Miklós Spányi has constructed a programme consisting of four sonatas from the 1750's, including the closing Sonata in A major (Wq65/32)

• The sonatas are interspersed with a number of shorter pieces: Solfeggios and Fantasias composed mainly to be used in the teaching of Bach's own students

• Particularly interesting is the Fantasia in D major, Wq117/14, an example of Bach's ‘free fantasias’ which is completely unmeasured, requiring the performer to devise his or her own appropriate rhythm in the style of an improvisation.

• Of his most recent disc in the series, International Record Review wrote 'Anyone expecting a chaste, Dresden-china simplicity is in for a culture schock as Spányi probes beneath the surface of Bach's highly articulate musical surfaces with a temporal plasticity that creates the impression of living, breathing musical organisms.'